The power of the intimate in documentary photography

Christine Delory-Momberger pursues the artistic process of her photographic triptych EXILS / REMINISCENCES and goes even further in what is outside the frame of this creation. The authors reveal the approach of the investigation lead by the photographer on the territories of the intimate in order to make it a public matter. They construct the new space for citizen art and show how the sphere of the intimate suscitates investigation forms that bear a transformation of the self and others.